Jules Cameron on Sound, Sisterhood, and the Art of Living Loud

Jules is not just a DJ; she’s a powerhouse of infectious energy and sharp wit. Renowned for her dynamic stage presence, she has transformed iconic venues into unforgettable parties, including the illustrious Hï Ibiza, UNVRS, and the legendary Pikes Ibiza. Her sets are a celebration of life, and we’re thrilled to have her on board for this special occasion. Beyond the decks, Jules is the Vice President of the Dimbola Photography Museum on the Isle of Wight, proudly continuing the legacy of her remarkable lineage that includes trailblazing female photographer Julia Margaret Cameron and literary icon Virginia Woolf. With a deep passion for honoring her ancestors, Jules is dedicated to championing women in the arts and promoting their invaluable contributions.

You bring such a distinct energy to every set, how would you describe the experience you want people to have when they see you play?

I want people to feel completely free like they’ve stepped out of their everyday life and into something joyful, a bit chaotic, and totally alive. My sets are never just about the music, they’re about connection. I’m reading the room, playing with the energy, having a laugh with people.

If someone walks away feeling lighter, like they’ve properly let go for a couple of hours, then I’ve done my job. It’s a shared experience, we’re all in it together, and I think that’s where the magic is.

You’ve performed at some of the most iconic venues in Ibiza. Was there a moment where it really hit you how far you’d come?

There have been a few surreal moments, but I think the biggest ones are actually quite quiet. You’ll be standing there, maybe just before going on, and suddenly it hits you - bloody hell, can't believe I’m here.

Playing places like Hï or Pikes, which have so much history and energy, you really feel it. I had a real moment when I was playing in the Wild Corner at Hï for Discoliscious, as three years previously I’d spent one of the best nights of my life there dancing non-stop, so to think I was actually DJing in there now was crazy. I think that was the most nervous I have ever been for one of my sets. I try not to get too caught up in it, because the moment you start to play, it’s about showing up and delivering.

Your work spans both music and cultural heritage through the Dimbola Museum. How do those two worlds influence one another?

They might seem like very different worlds, but for me they’re both about storytelling and emotion. DJing is about creating a feeling in a moment, and the museum is about preserving and celebrating moments from the past.

Being involved with Dimbola reminds me that creativity has a legacy, and that what we do now becomes part of something bigger. At the same time, my work in music brings a sense of energy and accessibility to how I think about heritage. It’s about keeping things alive, not just preserving them.

Coming from a lineage that includes Julia Margaret Cameron and Virginia Woolf, do you feel a responsibility to continue that creative legacy, or has it shaped your path more intuitively?

I think it’s a bit of both. There’s definitely a sense of pride and responsibility, I’m very aware of the women who came before me and what they achieved, especially at a time when it wasn’t easy. What they did was so pioneering and progressive for the time and I like to think I embody some of that energy in a small way. I've always moved through life to the beat of my own drum even when it wasn't trendy or fashionable; I've always just done me. I have been very inspired by Julia Margaret Cameron's bravery and boldness throughout my life. Her spirit has been everpresent and sometimes I feel like she is nudging me on. 

But it’s not something I feel weighed down by. If anything, it’s quite freeing. It’s like I’ve been given permission to be creative in my own way, whatever that looks like. I’m not trying to replicate their work, I’m just continuing that spirit of expression in a completely different world.

The music industry is fast-paced and often demanding. What has your journey taught you about building a career on your own terms?

It’s taught me that you really have to trust your instincts and protect your energy. It’s easy to get swept up in what you think you should be doing, but that’s not always what’s right for you.

I’ve learned to say no, to take breaks when I need them, and to keep things fun. Building a career at such a fast pace has left me in complete burn out at times. The late nights and pressure to show up with good energy sometimes take their toll, so I've really made a conscious decision to say yes only to the gigs that feel aligned. The first couple years of my career I said yes to literally everything, but through all that hard work I'm now able to be a little more conscious about the ones I do. The moment it stops being enjoyable, something’s off. Building a career on your own terms isn’t always the quickest route, but it’s the one that actually lasts.

Given your commitment to championing women in the arts, how do you see your own work contributing to that wider narrative of female creative leadership?

For me, it’s about visibility and authenticity. Just showing up as yourself, taking up space unapologetically, being loud, being funny, being emotional—whatever it is, that in itself is powerful.

Through my work with Dimbola and through DJing, I want to celebrate women’s voices in all forms, whether that’s historic or contemporary. If I can create opportunities, open doors, or even just inspire someone to go for it, then I feel like I’m contributing to something much bigger than myself.